Major suggestions
First, a line break should not terminate a held note. i.e.
should make the same sound as 0-
There should also be a way to tie certain notes within chords. maybe writing = after a number within chords will tie that note and the note of the same pitch after it. i.e. [0=,10][0,13]
Minor suggestions
There could also be a way to make a pitch bend. maybe the use of ~ after a note would bend it to the note after it. i.e. 0~10 this could also be embed within chords by putting the destination of the pitch bend as well to avoid confusion, like [0~10,10~20][10~0,20~10][0,10].
There could also be a noise oscillator
Finally, we should be able to use * to separate "sections" that will be played simultaneously
i.e.
{31edo}
(osc:triangle)
[0,2]
*
{31edo}
(osc:square)
[5,7]
Major suggestions
First, a line break should not terminate a held note. i.e.
should make the same sound as
0-There should also be a way to tie certain notes within chords. maybe writing
=after a number within chords will tie that note and the note of the same pitch after it. i.e.[0=,10][0,13]Minor suggestions
There could also be a way to make a pitch bend. maybe the use of
~after a note would bend it to the note after it. i.e.0~10this could also be embed within chords by putting the destination of the pitch bend as well to avoid confusion, like[0~10,10~20][10~0,20~10][0,10].There could also be a noise oscillator
Finally, we should be able to use
*to separate "sections" that will be played simultaneouslyi.e.